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	<title>abbykettner.com</title>
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	<pubDate>Wed, 27 Dec 2023 02:15:40 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://abbykettner.com/Home</link>

		<pubDate>Thu, 13 Jul 2023 01:11:17 +0000</pubDate>

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&#38;nbsp; &#38;nbsp;Abby Kettner&#38;nbsp;&#38;nbsp;</description>
		
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		<title>Info</title>
				
		<link>https://abbykettner.com/Info</link>

		<pubDate>Wed, 27 Dec 2023 02:15:40 +0000</pubDate>

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About




	&#60;img width="3157" height="4552" width_o="3157" height_o="4552" data-src="https://freight.cargo.site/t/original/i/2e37be9eb7527561d4a017024b18cbf7e3e9c84c55b38802cabf5c0f2f9dcd7e/Headshot-1.jpg" data-mid="238486595" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/2e37be9eb7527561d4a017024b18cbf7e3e9c84c55b38802cabf5c0f2f9dcd7e/Headshot-1.jpg" /&#62;

	
Abby Kettner (she/her) is a multidisciplinary artist and arts-administrator based in Toronto. Kettner graduated with a BFA in Cross-Disciplinary Art: Life Studies from OCAD University, and her artistic practice continues to evolve as she explores concepts of memory and loss through her unique visual language.
 Interested in collaboration and community art projects, Kettner works with the Carrier Bag Collective to develop accessible workshops for artists. Recent exhibitions include Niagara Artists Centre (2024), Xpace Cultural Centre (2024), Ignite Gallery (2023).&#38;nbsp;




	

CV
Education
2022 - BFA in Cross-Disciplinary Art: Life Studies from OCAD University

Solo Exhibitions
2024 - Falsework, Flea Market Gallery, Niagara Artists Centre, St. Catherines
Group Exhibitions
2024 - The Grotto, Xpace Cultural Centre, Toronto
2023 - The Powerhouse, Ignite Gallery, Toronto&#38;nbsp;
2023 - Specimental, Carrier Bag Collective, Action Potential Lab, Toronto
2023 - Dimensions of Toronto: Looking Otherwise with Nature, Window Box Gallery, Toronto

2022 - GRADEX 107, OCAD University
2022 - PROXIMITIES, Gallery 1313, Toronto
2021 - Huminality, Beaver Hall Gallery, Toronto


Residencies
2024 - Gladstone House Residency, Toronto&#38;nbsp;
2021 - Toronto Island Residency, OCADU Living Lab, Gibraltar Point

Professional ExperienceCurrent - Gallery Coordinator, Xpace Cultural Centre, Toronto&#38;nbsp;2025 - TD Programming and Engagement Assistant, Mercer Union, Toronto
2022 - Programs Assistant, Gallery TPW, Toronto
2022 - “A Melted Snowman” Research Workshop, facilitated by artist Ryan Gander, Toronto
2022 - Emerging Artists Roster, VIBE Arts, Toronto
2022 - Artist Talk, PROXIMITIES, Gallery 1313, Toronto
2021 - Event Coordinator, OCAD Student Union, Toronto

Publications
2024 - Volume 15, Xpace Cultural Centre
2022 - PROXIMITIES Exhibition Catalogue




Contact
abbykettner23@gmail.com
@abby.kettner</description>
		
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		<title>Recent Works</title>
				
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		<pubDate>Wed, 27 Dec 2023 01:55:30 +0000</pubDate>

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Recent Works
Falsework, 2024
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&#60;img width="2160" height="1580" width_o="2160" height_o="1580" data-src="https://freight.cargo.site/t/original/i/6851e20b5b5714fdbc5d64d08b161c3e1dfe05ea004069cde6e7a79a15784710/NAC_Edited18.jpg" data-mid="216485809" border="0"  src="https://freight.cargo.site/w/1000/i/6851e20b5b5714fdbc5d64d08b161c3e1dfe05ea004069cde6e7a79a15784710/NAC_Edited18.jpg" /&#62;
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&#60;img width="2160" height="3240" width_o="2160" height_o="3240" data-src="https://freight.cargo.site/t/original/i/e8c2f41425ec1a49b774dda408fb3276d06feffd7cb42decd5aa8200b7c7e318/NAC_Edited11.jpg" data-mid="216485805" border="0"  src="https://freight.cargo.site/w/1000/i/e8c2f41425ec1a49b774dda408fb3276d06feffd7cb42decd5aa8200b7c7e318/NAC_Edited11.jpg" /&#62;
&#60;img width="2160" height="3240" width_o="2160" height_o="3240" data-src="https://freight.cargo.site/t/original/i/802288a6eb357b2279b472e967e3f46b6fa33016426e57c31754ba39d08b32a2/NAC_Edited14.jpg" data-mid="216485807" border="0"  src="https://freight.cargo.site/w/1000/i/802288a6eb357b2279b472e967e3f46b6fa33016426e57c31754ba39d08b32a2/NAC_Edited14.jpg" /&#62;
&#60;img width="2160" height="2694" width_o="2160" height_o="2694" data-src="https://freight.cargo.site/t/original/i/1adeb11db4faa7bae5e638e6242e6dc79f097aa5e55e894d12eb489d75c4ff6d/NAC_Edited2.jpg" data-mid="216485801" border="0"  src="https://freight.cargo.site/w/1000/i/1adeb11db4faa7bae5e638e6242e6dc79f097aa5e55e894d12eb489d75c4ff6d/NAC_Edited2.jpg" /&#62;
&#60;img width="2160" height="1440" width_o="2160" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1dab1c9264a2b0c21242851825c2131b9337765278f3ed39f8aa63912b0048b9/NAC_Edited8.jpg" data-mid="216485804" border="0"  src="https://freight.cargo.site/w/1000/i/1dab1c9264a2b0c21242851825c2131b9337765278f3ed39f8aa63912b0048b9/NAC_Edited8.jpg" /&#62;
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&#60;img width="2160" height="3018" width_o="2160" height_o="3018" data-src="https://freight.cargo.site/t/original/i/fd91dcb9669ef1019b89f36cde647115314965d753fb55ef00b6a0eabfdd6111/NAC_Edited5.jpg" data-mid="216485802" border="0"  src="https://freight.cargo.site/w/1000/i/fd91dcb9669ef1019b89f36cde647115314965d753fb55ef00b6a0eabfdd6111/NAC_Edited5.jpg" /&#62;
Falsework seeks to represent the mind as a construction site. Using domestic objects cast in latex as stand-ins for memories, the skins of these objects dance through the barriers of the site. Resisting and in some cases succumbing to the structures they try to navigate, the objects rebel against their scaffolding. Whether bursting from sandbags or getting tied up in caution tape, these recollections defy the attempts to keep them static. Falsework is a temporary formation, showing the mind, only as it appears in this moment. Over time the latex will degrade, taking the objects and the memories they represent with it.Photos by Loanne II Tran.


The notion of memory is a chimerical dream, 2024
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&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/1cdd26e33e37949fa1a90dcba74405e3eabf0364eaaae3f655f6a7734a1a688b/Xpace_SPE-12.jpg" data-mid="205797856" border="0"  src="https://freight.cargo.site/w/1000/i/1cdd26e33e37949fa1a90dcba74405e3eabf0364eaaae3f655f6a7734a1a688b/Xpace_SPE-12.jpg" /&#62;
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The notion of memory is a chimerical dream investigates the fragility and fallibility of memory by representing the mind as a construction site. Recent studies have revealed that forgetting is not a glitch in our memory, but a distinct and purposeful force. Using every-day objects from interior and exterior spaces in the artist’s life, the ever-fading, intangible ghosts of past thoughts, feelings, and experiences are captured in the bioplastic sculptures. They will eventually deteriorate as just the memories do, becoming an unearthly reification of how memory functions in the brain.
“We are our memory, / we are this chimerical museum of shifting forms, / this heap of broken mirrors” 
–Jorge Luis BorgesPhotos by Em Moor. 


City Skins, 2023
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City Skins is a series of flexible latex casts taken from the urban landscape. The work looks at using things that go unseen in a modern environment as a non-traditional way of mapping. In making the casts I spend long periods of time waiting for the latex to cure, solidifying memory, and forming intimate connections with the objects.
Photos by Vivian Zeng.&#38;nbsp;


In Place of You, 2022


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	In Place of You speaks to the complex kinship between objects and memories. While using everyday objects from my life as containers for feelings and experiences, I have found that objects most often fail to hold all of the meaning I try to instil within them. The imperfect copies of the objects embodied in the translucent, latex skins show the slippages of memory. These multiple, flawed, ghost-like layers suggest a shared history and investigate the intricacy of human relationships.
Photos by Loanne II Tran.&#38;nbsp;
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